Who We Are

We are a group of Christian writers who meet semimonthly for W.I.SE. Coffees in Colorado. At the each gathering (a casual coffee at a local Starbucks), we share knowledge, inspiration, fun, and encouragement. We also share rejections and acceptances, and applaud each others’ risk taking and triumphs. We  encourage writers from all over the United States to join us for our informational webinars as soon as they begin. Nonfiction and fiction writers are both welcome.

Our Mission Statement is: Our deepest desire and heartfelt prayer is that every word we pen will inspire others to seek and find His path–His Way.

Please visit our About Page and our Event Page for details of meeting times and locations.

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Our Next W.I.S.E. Coffee is April 28, 2015, 9:30 a.m.

9:30 — 11:30 a.m.
Starbucks at Barnes and Noble Booksellers
8374 S Willow St, Lone Tree, CO 80124
(303) 706-9660
SEE MAP

Attendees always walk away with notes and excitement about their writing life! Our meetings are inspirational and informative!

Our W.I.S.E. Coffees are FREE. For this meeting, show up a few minutes before 9:30 a.m. at the Starbucks in the Barnes and Noble by Park Meadows Mall. You’ll need a few minutes to get your snacks and drinks.

Words for the Journey is unique because our group emphasizes discussion and support. After you’ve grabbed your food, sit down and join us for spunky conversations about the writing craft, life, and world.  As usual, we will all be sharing our recent writing experiences and learning from each other.

As always, Denise will share articles on either promotion or writing craft.

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Free Jerry Jenkins Webinar: How to Finally Get Started Writing Your Novel

Dear Writer,

Having trouble getting started on your novel?

The most common plea I hear from writers tackling a new novel is “I’m overwhelmed!”

Believe me, I know. I’ve written well over a hundred of them, and each new one still feels like trying to juggle 20 bowling balls.

How can you possibly find the time to write?

How do you know your storyline is compelling enough?

Where in the world do you even begin?

If this doesn’t sound like you, feel free to close this email and get back to your busy day.

But if you’ve got a novel burning in you, and you’re feeling the weight of these questions right now, then read on:

I know exactly how you feel.

I’ve spent my share of seemingly hopeless hours staring at the dreaded Blank Screen, with no idea what my first sentence should be.

But after four decades, 21 New York Times bestsellers, and 70 million books sold, I not only sit at the keyboard with confidence, ready to get started, but I’m also eager to teach you all I’ve learned.

I’d love to share my strategies with you.

That’s why I’m holding a free live webinar, Monday, April 20 at noon Central Time. Join me and I’ll guide you through the process of preparing to write your novel.

It’s called: How to Finally Get Started Writing Your Novel.

Here’s just some of what I’ll cover:

  • Avoiding the most common beginners’ mistakes
  • How to fit writing into an already overloaded schedule
  • How to crush the “You’re not ready” voice inside your head
  • Tips to help you find your unique writing voice
  • The secret to staying motivated and beating procrastination
  • Where winning story ideas come from
  • And many more topics

My goal is to help you kickstart your book. We both know the most important step you take in any endeavor is always the first one. Until you actually begin, there’s no hope your amazing story will ever reach the rest of us.

I’ve arranged for you to gain access to this information for free. So to reserve your seat, all you have to do is click the link below:

>>> Yes, save my seat on this live webinar

Seats are limited. You’ll want to reserve your free spot now, because we expect them to disappear quickly.

We will start promptly at 12:00 pm CST on April 20. I don’t want you to miss out on this live training—so don’t be late!

Talk soon,

Jerry B. Jenkins

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Fantastic Writing Opportunity–Dana Bell’s Extinct Possibilities Anthology

Deadline, 4/30/15

Imagine a world where dinosaurs, ancient mammals or other creatures, like the dodo bird, including lost branches of man, never went extinct. How would it have changed our world? What would their place or ours be? What if…? In these alternate history stories, these questions or others should be asked and answered.

Research will need to be on these stories, both historical and archeological. Come up with story themes or ideas that haven’t been done.

What is not acceptable! Time travel or portals. No genetic manipulation or radiation mutation. No traditional monster stories. No first or last of its kind. No evolution to intelligence. No hibernation, it was frozen in ice, found in a secret installation preserved, etc. If it’s something you’ve seen on Syfy, it’s NOT appropriate for this anthology.

PG13 rating. No sex. No erotica. No graphic violence. Cussing to be limited to hell and damn. If you’re overly fond of the F word, your story will be rejected. Not opposed to faith based stories, just as long as it’s important to the character or story line. If they’re preaching on any belief system, the piece will be rejected.

Stories can be told in any time period, from the ancient past to the distant future even other planets. Looking for variety here so think beyond or before present day.

You don’t have to be published in order to have your story considered for this anthology. Editor averages two to four first sales for every anthology edited. Feel free to read Time Traveling Coffers, Different Dragons, and Different Dragons II for a sampling of authors and styles.

Editor’s job is to make your story shine. Critiques and suggestions to improve are given for all accepted stories and why the story is rejected for all others.

All genres accepted. Science Fiction, Fantasy, Steam Punk, Mystery, Romance, Horror, et al. Flash fiction is acceptable. Stories length up to 6000 words. Longer stories by approval only and will be granted exclusively to authors editor has worked with before.

Stories must be formatted in New Times or Times Roman, 12 pt., double spaced with indents for paragraphs. Numbers must be written out unless they are an exception to the rule, for instance gun types. No semi-colons or colons. This is an
editorial preference. Dashes only for emphasis and used sparingly. Pet word ‘that’ or anything crutch word used in excess. Ex. but, in a moment, for a moment, suddenly, etc.

Accepting rft and doc attachments ONLY. Docx will be returned to reformat. Anything else will be rejected.

On the first page, please include: Name, address, phone number, email address, organizations you belong to and approx. word count. This is very important! Editor has had to contact writers and without this full info, your story could be dropped if you can’t be reached.

In the cover email, please, include a one line synopsis of the story and less than 50 words about yourself. Authors who have been accepted in previous anthologies, need only include synopsis.

Submissions open 01/01/2015 and end 04/30/2015. Stories received before January open or after end date will be rejected, UNLESS, permission is granted by the editor.

Submit to: dragonlots@yahoo.com. In subject line: Extinct possibilities – story name –your name.

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Getting Reviewed by Book Bloggers–What Was Revealed at Our Last W.I.S.E. Coffee Meeting, March 31, 2015

In our last meeting on March 31st, we talked about promoting our books through blog reviewers. The post I read to the group and taught from was,”Book Bloggers: Where to Find Them and How to Win Them Over,” by Jenny Bravo (see link at bottom of article).

Some writers don’t realize that there are bloggers out there that do nothing but read books and review them for FREE. But now that so many authors have caught on to this, you have to figure out the right approach to get them to review your book.

But before that, you have to find them.

The two biggest sources are Twitter and Instagram, and the way you find them is through hashtags.

For instance, on Twitter, put #amreading in the search window. The page that comes up will have tweets from readers and blog reviewers. If you click on their name, it’ll take you to their profile page and their bio will tell you if they’re a book blogger and what their site address is.

In her article, Bravo has a list of good hashtags to search for in both Twitter and Instagram.

Once you’re on their site, you can verify what books they review and what their contact info is.

Another source for book bloggers (not in Bravo’s article)
Book blogger lists and directories are great sources of names and contact info of book bloggers. All I did was Google “book blogger” and got several directories and lists to go through. They were organized by genre and had clear information about the bloggers. I will say that if you have some back and forth conversation with them on Twitter, or retweet their tweets, you might have a higher chance of getting a positive response from them, but finding them in a directory is a good start.

Paid-for services to get book bloggers to notice you
Bravo’s article mentioned NetGalley, a site that let’s you post your title for book bloggers to peruse. If a blogger likes your title they will request an Advance Reader Copy (ARC). She also mentions that there are co-op sites. Patchwork Press is affiliated with NetGalley but is a co-op. I’m not sure how this works, but I give the link below for you to noodle the particulars.

Something I added to this section is a discussion about WhizBuzz and Piece of Cake PR.

Whizbuzz is a website that reviews books and posts the reviews on their site–for a fee. BUT, there’s more. For that small fee (right now it’s $49) they promote your book on their site and on Twitter for one year! Go ahead, check it out. (The link is at the bottom of this article.)

Then, I talked about Piece of Cake PR. Piece of Cake writes a press release for you, then distributes it to thousands of media outlets that fit your book topic! These releases go out to more than book bloggers, but also to newspapers, magazines, radio and television. So, they reach out to online media and brick-and-mortar outlets. Their link, also, is below.

To reach them and win them over
To reach book bloggers yourself, you must use their contact page or email them directly. Here’s where you need to win them over. There are ten actions Bravo lists to help your chances of getting a review, but these are the five I found found important to me:

  • Abide by their review policy (usually on their blog).
  • Make sure they review your genre before you approach.
  • Tell them your release date and other information.
  • Keep your email short.
  • Read their blogs. See what they’re saying about other books.

And I would add–

  • In your email, attach a free copy of your book (usually a  PDF) or request an address to send your print copy if that’s what they say they prefer (unless it’s an e-book).
  • Remember to type the email subject line exactly the way they tell you on their blog.

We discussed how long is reasonable to wait for a response and one of our members said that her wait was approximately one month when she emailed book bloggers. 

The third bullet point above suggests you are conducting a launch campaign. If you are, that means you are pre-promoting your book for about three months before your book release. My suggestions are 1) to email the blogger a full three to four months before your release date so you can get it promoted during your pre-launch time period  (if your book has released recently, email the blogger now because you want to say your book is “new”) and 2) to put a “Pre-order” button on your online bookstore page (or ask your publisher to do so). People get excited for your book during the pre-launch phase, and you want them to be able to buy it while they’re excited. A “Pre-order” button lets them strike while the iron is hot.

At our W.I.S.E. Coffee meeting, we also talked about the archetypal romance/buddy plot and about honing in on the pain and vulnerability of the couple. This creates a dramatic and fascinating emotional arc. But, I’ll cover that in another post.

AND, before we left, we briefly discussed Bad Christian Fiction and how to improve our work. I said, the answer is subtext, which I wrote about in this post on Red-Hot Writing Tips, “Subtext—Kick Your Writing Quality Up a Notch!”

Links to articles mentioned in this post:

The original post, “Book Bloggers: Where to Find Them and How to Win Them Over.”
NetGalley
Patchwork Press
WhizBuzz
Piece of Cake PR
The Book Blogger List

 

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Our Next W.I.S.E Coffee is April 14, 7 p.m.

Bring a friend!

Night Meetings, Second Tuesday of the Month.
7-9 p.m.
Starbucks, Yosemite and Maximus, Lone Tree
9222 Park Meadows Dr., Lone Tree, CO
(303) 799-8061
SEE MAP

Oh my cow! We have so much fun sharing our writing lives and all we’re learning about the writing craft!

As usual, during this Night Meeting, Denise will share articles on either promotion or writing craft.

Our W.I.S.E. Coffees are FREE. For this meeting, show up a few minutes before 7 p.m. at the Starbucks on the corner of Maximus and Yosemite by Park Meadows Mall. You’ll need a few minutes to get your snacks and drinks.

Attendees always walk away with notes and excitement about their writing life! Our W.I.S.E. Coffees are inspirational and informative.

Words for the Journey is unique because our group emphasizes discussion and support. After you’ve grabbed your food and beverage, sit down and join us for spunky conversations about the writing craft, life, and world.

AND we will all be sharing our recent writing experiences and learning from each other.

Come and join us for powerful information and support from your fellow writers!

 

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The Best Writing

“There is nothing to writing. All you do is sit down at a typewriter and bleed.” ~Ernest Hemingway

For your writing to be “the best,” you have to give a lot of yourself. Sure, you can withhold and write a quick, fluffy piece that has barely any effect on anyone.

But, the best writing comes from deep inside you.

I’ve heard of a coach in the music business that works with singer/songwriters. He’s like a therapist. He digs and digs and digs until he finds their pain, and when he finds out what they truly feel about things, he says, “Is that what you want to say? Then say it!”

The rumor is, when this coach works with a singer/songwriter, his or her next album is a hit!

This is not a surprise because whatever painful circumstances you’ve been through, others have been through it too. They will at least identify with the core feelings of your experience. You are not the only one who’s been hurt and feels the way you feel!

When you dig deep, you find a resonance with your audience. Have you been abandoned? Well, yeah, you and half the planet! Rejected? Lost many loved ones to disease?

I must tell you, your audience is waiting to hear not only the pain, but the lessons you’ve learned. Can you write a story about a girl who overcomes repeated abandonments? What are her lessons along the way? How does she heal?

We need to learn to dig deep inside and be honest about our hurts, our opinions, and our passions. It’s what makes the BEST writing.

Now writer, go sit at your laptop and bleeeeeed.

“Writing means sharing. It’s part of the human condition to want to share things–thoughts, ideas, opinions.” ~Paulo Coelho

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Beginning Your Story–Secrets We Uncovered in Our March 10th, 2015, W.I.S.E Coffee

In our March 10th W.I.S.E. Coffee, we learned about using intellectual property lawyers to negotiate book contracts, and we learned some things that are typically negotiable in that contract. (You can find them in your state and city here.)

Two books came to the fore to learn about writing and law. (See Legal Books for Writers.)

THEN, we moved ahead to fiction and ways to open a story, based on a Writer’s Digest blog post

Beginning your fiction story can be troublesome if you don’t know the guidelines. According to writing pundit Jeff Gerke, there are four main ways to begin a story. 

The four main ways to begin your story are…

1. A prologue
Many Christian publishers shun the prologue, so be careful with this one. The key is to do it right, and even then, if you find out the publisher you’re aiming for hates prologues, relable it “Chapter One.”

Gerke explains in chapter nine of The First 50 Pages, that a prologue is separate from your main story.  It tells an offstage story that either sets up the main action, is causal to a problem in the the main story, or foreshadows challenges which develop later.  

You can use  the novel’s minor characters or unknown characters effectively in a prologue, but you can also use the main hero or villain.

My own observation tells me that prologues are often separated from the main story by either time or location.

Very often, this way of beginning shows the hero as a child. I’ve read prologues that show both the villain and the hero in their youth and how the conflict between them got started.

The book Jurassic Park has, in my opinion, too many prologues, but the one I liked told the story of a baby in danger from a dino that had escaped the island to the mainland. It foreshadowed the problems that were going to occur later in the book, and included none of the main action characters. 

Gerke exemplifies the movie Mulan as a story with a prologue. In this case, the villain (an army) is shown on its way to attack Mulan’s village. They are separated by location, but are concurrent in time.

His post explains further and gives even more examples of stories with prologues.

2. Hero in action
This is a common way to start. The hero is doing something. Perhaps he is arguing, or running away from an enemy, or fighting. Often he is busy at his occupation–a great way to show who the character is.

Gerke offers the opening scene in the movie Groundhog Day as an example of “hero in action.” The main character, Phil Connors, reports the weather during his segment of local news. Phil is sarcastic and rude.

Raiders of the Lost Ark (my example) opens with Indiana Jones recovering an artifact, running for his life, and losing the statue to his arch nemesis. 

There are more examples of “hero in action” in the WD post.

3. In medias res, which means “in the middle of things”
When a story opens at a point that happens much later in the story, you have in medias res.

For instance, in the movie Megamind, the main character (who is both hero and villain, all wrapped into one) is falling from the sky at rapid speed and is about to die. He narrates over the scene so the audience knows that this happens later, but the scene cuts off with him still in the sky, falling, and the audience wonders, What is going to cause him to fall from the sky? How does he survive?

In medias res causes the audience/readers to feel anticipation about the story, so when you back up and start from the beginning, even if the story has a slow build, there is tension anticipating the moment they caught a glimpse of at the opening.

I thought Megamind was my example, but I found it mentioned in The First 50 Pages after I wrote this post. So let’s just say I read his mind–his mega mind, no doubt. :D  

Gerke gives other examples and has more to say about in medias res in his post and his book.

4. A frame
Some stories have two stories going on at once, the main story, and a frame story that introduces the main and cuts in every now and then to frame it.

The Princess Bride (both book and movie) is the most obvious example. A grandfather reads a story to his grandson during his grandson’s illness. The story the grandfather reads is The Princess Bride.

The grandfather/grandson story starts the book and movie, but the main story is really the story about Princess Buttercup and her love, Wesley.

A frame story will not just start the book or movie, it will cut in throughout the story, and then come in at the end to finish.

A member also mentioned that The Notebook, by Nicholas Sparks, has a frame.

Conclusion
Gerke explains much more than I have here, including why you would choose to use each of these, the drawbacks to using them, as well as more and different examples. Click here to read his post.

His book, The First Fifty Pages, has a great explanation of prologue and how to do it right, as well as explaining the other openings.  It’s an amazing book for the  fiction writer in so many ways!

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